From 14 to 24 January 2024 i was in Florence together with my nephew. In Villa La Repubblica i’m publishing a diary. Click here to follow it (in Dutch).
These are some extra pictures additional to the pictures in VLR.
From 14 to 24 January 2024 i was in Florence together with my nephew. In Villa La Repubblica i’m publishing a diary. Click here to follow it (in Dutch).
These are some extra pictures additional to the pictures in VLR.
Bench in a park, Stadhoudersplantsoen. During World War II, a tank trench was dug here by the Germans.
Now the area is a park and you can enjoy the sunshine on this bench. It had sunk into the ground a bit when i took the first pictures in 2020, but now it has been repaired.
The armrest in the middle doesn’t just give stability, it also prevents the homeless from sleeping here during summer, as society doesn’t want to be confronted with the dark side of its problems.
From 14 to 24 January 2024 i was in Florence together with my nephew. In Villa La Repubblica i’m publishing a diary. Click here to follow it (in Dutch).
These are some extra pictures additional to the pictures in VLR.
Which old mythological or legendary local creatures do we know in the Low Countries? They are certainly no longer widely known.
We live in an age that the Werewolf has been replaced by the real wolf.
But who still knows the Witte Wieven, Ellert and Brammert, the Roggemoeder, who knows Blauwe Gerrit or the Bokkenrijders? These were once characters who embodied our fears, ou insecurities and our link to nature.
However, after having survived their competition with Christian saints, kings and emperors they have now been replaced by game characters and real-life sports, political and cultural figures whose fame is spread throughout the world by modern media.
Now we can pray to them, curse them, fear them and be insecure about them to our hearts content. But fears and insecurities are still the same and their old personifications are still looming while we have forgotten them, forgetful as we are.
They may linger in the rustling branches of the thicket, in a muddy pond, in a creaking loft, in a rain cloud, in the places you don’t pay attention to because you are constantly looking at your eye-phone; the real world around you is too unsettling.
Rasmus Myrup (1991) has collected some of these ancient creatures from Nordic folk tales and has given them a new material appearance. Ever heard of Kællingen, of Mjölkhara, Sjöjunghen, or even of Slattenpatten?
Haven’t you?
Well, currently they are more or less present in 1646. Myrup has given them a new life with different materials which are part of their regions of origin.
Be respectful though, as there are two queens among them: Omma and Hacka.
And you may not feel welcome at all. As soon as you enter they stop their conversations and their mumblings and wait for you to leave.
Bertus Pieters
Now that you’ve come here, you might as well subscribe to Villa Next Door (top right of the page)!
From 14 to 24 January 2024 i was in Florence together with my nephew. In Villa La Repubblica i’m publishing a diary. Click here to follow it (in Dutch).
These are some extra pictures additional to the pictures in VLR.
From 14 to 24 January 2024 i was in Florence together with my nephew. In Villa La Repubblica i’m publishing a diary. Click here to follow it (in Dutch).
These are some extra pictures additional to the pictures in VLR.
Since my early days in The Hague (which is a lifetime ago for a younger reader) i’ve known Christie’s work, probably from the then illustrious Haags Centrum voor Actuele Kunst (HCAK, The Hague Centre for Contemporary Art), the first artist-run gallery in The Hague and one of the first in the country, and from the Gemeentemuseum (now Kunstmuseum).
At the time her colourful paintings were controversial.
The other day i met Christie in the gallery where she told me that critics were even hostile, while museum directors were enthusiastic.
Fortunately, all that has changed, and today both artists and critics are far less hostile, although one might think that they are less critical as well.
It is clear that we live in post-postmodern times.
It is strange with Christie’s installations; one is easily overcome by a kind of drunkenness.
The old sense of experiencing colour, space, inventiveness and craftsmanship is omnipresent in her work.
Even the artist herself is a bit overwhelmed that she has done all this.
The power of colour and ornament is simply overwhelming.
Bertus Pieters
Now that you’ve come here, you might as well subscribe to Villa Next Door (top right of the page)!